This Week at LACMA

Returning to Los Angeles for the first time since 2015, Christian Marclay’s The Clock is a 24-hour single-channel montage constructed from thousands of moments of cinema and television history depicting the passage of time, excerpted and edited together to create a functioning timepiece synchronized to local time wherever it is shown. The result marks the exact time for the viewer for 24 consecutive hours, weaving together Marclay’s interests in collage and found visual and aural artifacts with his roots in live performance.

The Clock kicks off with the first of two 24-hour screenings beginning Saturday, July 25, tickets for which are now available. From Sunday, July 26, through Sunday, August 23, The Clock will be on view during regular museum hours and is included in general admission. Member Previews also take place during museum hours this week from Thursday, July 23, through Saturday, July 25.

Now on View

Fashioning Chinese Women: Empire to Modernity

Fútbol Is Life: Animated Sportraits by Lyndon J. Barrois, Sr.

Collecting Impressionism at LACMA

Deep Cuts: Block Printing Across Cultures

Modern Art

Danse Macabre: Death in Print from Durer to Dix

Pablo Picasso—Portraits in Disguise

Christina Quarles: Now We’re There (And We’ Only Just Begun)

Alfonso Gonzalez Jr.: In Between Stops

Deep Time Cinematography

Ai Weiwei: Circle of Animals/Zodiac Heads