Raymond Loewy, Avanti, 1961, manufactured by Studebaker Corporation in 1963, purchased with funds provided by the 2014 Decorative Arts and Design Acquisitions Committee (DA²) and partial gift of Michael, Susan, Jonathan, and David Rich, with conservation funded by Debbie and Mark Attanasio, Neil Lane, Viveca Paulin-Ferrell and Will Ferrell, Trina Turk, Suzanne Kayne, Alison and Sasha Palevsky, and Tina Gittelson through the 2022 Decorative Arts and Design Acquisitions Committee (DA²) in memory of Peter Loughrey, and Marilyn B. and Calvin B. Gross, photo © Museum Associates/LACMA by Yosi Pozeilov, LACMA Conservation Center

50 Works 50 Weeks: Raymond Loewy’s Studebaker Avanti

December 17, 2025
Bobbye Tigerman, Marilyn B. and Calvin B. Gross Curator, Decorative Arts and Design

As LACMA prepares for the 2026 public opening of the new David Geffen Galleries, the future home of the museum’s permanent collection spanning a breadth of eras and cultures, we’re sharing 50 iconic artworks that will be on view in the building over the next 50 weeks in the series 50 Works 50 Weeks.

Close up front-facing view of tan car
Raymond Loewy, Avanti, 1961, manufactured by Studebaker Corporation in 1963, purchased with funds provided by the 2014 Decorative Arts and Design Acquisitions Committee (DA²) and partial gift of Michael, Susan, Jonathan, and David Rich, with conservation funded by Debbie and Mark Attanasio, Neil Lane, Viveca Paulin-Ferrell and Will Ferrell, Trina Turk, Suzanne Kayne, Alison and Sasha Palevsky, and Tina Gittelson through the 2022 Decorative Arts and Design Acquisitions Committee (DA²) in memory of Peter Loughrey, and Marilyn B. and Calvin B. Gross, photo © Museum Associates/LACMA by Yosi Pozeilov, LACMA Conservation Center

One of the few designers ever featured on the cover of Time magazine, Raymond Loewy was an industrial designer responsible for some of the most iconic objects of his era, including the Coldspot refrigerator, the design for President John F. Kennedy’s Air Force One jet, and a series of cars for Studebaker. Active from the 1930s to the 1970s, Loewy is best known for streamlined design, even in situations where its utility was questionable, such as his famous aerodynamic pencil sharpener.

Driver's-side interior of tan car
Raymond Loewy, Avanti, 1961, manufactured by Studebaker Corporation in 1963, purchased with funds provided by the 2014 Decorative Arts and Design Acquisitions Committee (DA²) and partial gift of Michael, Susan, Jonathan, and David Rich, with conservation funded by Debbie and Mark Attanasio, Neil Lane, Viveca Paulin-Ferrell and Will Ferrell, Trina Turk, Suzanne Kayne, Alison and Sasha Palevsky, and Tina Gittelson through the 2022 Decorative Arts and Design Acquisitions Committee (DA²) in memory of Peter Loughrey, and Marilyn B. and Calvin B. Gross, photo © Museum Associates/LACMA by Yosi Pozeilov, LACMA Conservation Center

In February 1961, Studebaker commissioned Loewy to design a sports car. He accepted the offer on the condition that the design work not take place in South Bend, Indiana, under the watchful eyes of executives, but in a rented bungalow in Palm Springs, California, where he kept a home. Loewy’s design team worked furiously, and in about a month, produced an 1/8th-inch scale clay model of the Avanti (“forward” in Italian). The car was produced in record time and debuted at the New York Auto Show in April 1962.

Side profile view of tan car
Raymond Loewy, Avanti, 1961, manufactured by Studebaker Corporation in 1963, purchased with funds provided by the 2014 Decorative Arts and Design Acquisitions Committee (DA²) and partial gift of Michael, Susan, Jonathan, and David Rich, with conservation funded by Debbie and Mark Attanasio, Neil Lane, Viveca Paulin-Ferrell and Will Ferrell, Trina Turk, Suzanne Kayne, Alison and Sasha Palevsky, and Tina Gittelson through the 2022 Decorative Arts and Design Acquisitions Committee (DA²) in memory of Peter Loughrey, and Marilyn B. and Calvin B. Gross, photo © Museum Associates/LACMA by Yosi Pozeilov, LACMA Conservation Center

The Avanti was cherished by its designer, who owned two: one that he kept in France, and this one, which he kept at his home in Palm Springs. He customized this one in a number of ways—the three-color paint scheme, the aluminum disks on the door sills, the exhaust cut-out cables that gave the car extra speed, and special plaques that identified it as a Loewy design and noted its speed records. We recently completed a thorough conservation and restoration of the vehicle, returning it to Loewy’s original vision. It will be displayed in a gallery about how car culture and the landscape of the automobile has shaped California art and design.