While leaving work last week, I stumbled upon the Messiah himself enjoying the sunset on LACMA’s campus. Strategically placed (he seemed to possess a keen self-awareness) within the illuminated street lights of Chris Burden’s Urban Light installation, Jesus stood waiting, as if informed by some divine foresight that a passing photographer would soon ask, “Hey Jesus, can I take your picture?”
After snapping a shot with my camera phone [insert corporate sponsorship here], the Holy One asked to see the photo and exclaimed simply, “Sweet.” Clearly he was impressed.

Jesus with Urban Light
Once my feelings of “OMG, I just took a pic w/ Jesus, LOLZ ROTFL” subsided, I realized that the composition of the photo bore an uncanny resemblance to John Baldessari’s iconic work, Wrong, lauded for its “improper” positioning of a man directly beneath a towering palm tree.

John Baldessari, Wrong, 1966-1968, Painting, photoemulsion with acrylic on canvas, 59 x 45 in. Contemporary Art Council (M.71.40)
Justin Edwards
Development