Skip to main content
The Ancient Americas in Three Dimensions
April 2, 2020
Alyce de Carteret
LACMA @ Home Art Activity—Lines and Layers
March 31, 2020
Alicia Vogl Saenz
LACMA's Art+Tech Lab Featured in Bloomberg’s Art+Technology...
March 30, 2020
April 2, 2020
Unframed is supported in part by LACMA's Director's Circle.
Search form
GO
Search
Subscribe
This Weekend at LACMA
December 27, 2019
Victor Guzman
How to Read "Betye Saar: Call and Response"
December 26, 2019
David Karwan
Winter Break at LACMA
December 24, 2019
Madeleine Heppermann
LENS 2019 Acquisitions
December 23, 2019
Rebecca Morse
This Weekend at LACMA
December 20, 2019
Victor Guzman
Collection Highlights for the Winter Solstice
December 19, 2019
Madeleine Heppermann
Rufino Tamayo: A Mexican Master On View in Los Angeles
December 18, 2019
Rachel Kaplan
2020 Art + Technology Lab Call for Artist Proposals
December 17, 2019
Joel Ferree
Award-winning LACMA Catalogues
December 16, 2019
Editors
This Weekend at LACMA
December 13, 2019
Victor Guzman
LACMA Awarded TEFAF Grant for Conservation Project
December 12, 2019
LACMA Holiday Gift Guide 2019
December 11, 2019
Madeleine Heppermann
LACMA Acquires a Major Work by the Bolivian Painter Melchor...
December 10, 2019
Ilona Katzew
Now on View—“Do Ho Suh: 348 West 22nd Street”
December 9, 2019
Art & Wellness at LACMA
December 6, 2019
Alicia Vogl Saenz
Elizabeth Gerber
This Weekend at LACMA
December 6, 2019
Victor Guzman
Create a Composite Creature Inspired by “Every Living Thing”
December 4, 2019
Susi Castillo and Carmen Velasquez
Re-examining a Unique George Bellows Artwork (Part 2)
December 3, 2019
Madison Brockman
One of a Kind: Re-examining a Unique George Bellows Artwork (...
December 2, 2019
Madison Brockman
This Weekend at LACMA
November 29, 2019
Victor Guzman
Happy Thanksgiving from LACMA!
November 28, 2019
Madeleine Heppermann
Come View Sam Durant’s “Like, man, I’m tired of waiting”
November 27, 2019
Editors
Discover Your Zodiac Animal!
November 26, 2019
Madeleine Heppermann
Memories from the Boone Children’s Gallery
November 25, 2019
Julia Velasquez
Show More
![Getty curators Stephanie Schrader and Edina Adam, Getty conservator Michelle Sullivan, and former LACMA (now Getty) curator Naoko Takahatake examine the Gauguin “oil transfer drawing,” image courtesy of Madison Brockman. Foreground: Paul Gauguin, Eve ['The Nightmare'] (recto); Eve ['The Nightmare'] (verso), c. 1899–1900, The J. Paul Getty Museum, Los Angeles; Background: William Blake, Satan Exulting over Eve (detail), 1795, The J. Paul Getty Museum, Los Angeles](https://unframed.lacma.org/sites/default/files/styles/article_thumb/public/field/image/IMG-0064.JPG?itok=bHeQ3d6w)
