Conservation intern painting a black and white print of a woman
2021 Summer Getty Marrow Intern in Conservation: Internship...
October 12, 2021
  • Madison Brockman
  • Izik Vu
Japanese print of mountains and coastline
Removing Stains From a Japanese Print Using Gellan Gum
August 27, 2021
  • Madison Brockman
Keep Your Eye On The Man In Red—Installing Artist Yoshitomo Nara...
August 19, 2020
  • Tom Duffy
Charles Rennie Mackintosh, Poster for The Scottish Musical Review, 1896
Larger than Life: The Conservation Treatment of an Oversized...
April 20, 2020
  • Madison Brockman
Rufino Tamayo drawing on the lithographic stone for Two Personages Attacked by Dogs (Dos personajes atacados por perros) at the Taller de Gráfica Mexicana, 1982
Conservation of a Mixografía Print from the World’s Largest...
March 16, 2020
  • Madison Brockman
Installation photograph of Rufino Tamayo: Innovation and Experimentation, Los Angeles County Museum of Art at Charles White Elementary School Gallery
Behind the Scenes of the Exhibition "Rufino Tamayo:...
February 24, 2020
  • Deliasofia Zacarias
Getty curators Stephanie Schrader and Edina Adam, Getty conservator Michelle Sullivan, and former LACMA (now Getty) curator Naoko Takahatake examine the Gauguin “oil transfer drawing,” image courtesy of Madison Brockman. Foreground: Paul Gauguin, Eve ['The Nightmare'] (recto); Eve ['The Nightmare'] (verso), c. 1899–1900, The J. Paul Getty Museum, Los Angeles; Background: William Blake, Satan Exulting over Eve (detail), 1795, The J. Paul Getty Museum, Los Angeles
Re-examining a Unique George Bellows Artwork (Part 2)
December 3, 2019
  • Madison Brockman
George Bellows, Why Don't They Go to the Country for Vacation?, 1913
One of a Kind: Re-examining a Unique George Bellows Artwork (...
December 2, 2019
  • Madison Brockman