Los Angeles County Museum of Art
New Acquisition: Six Works by Japanese American Modernists
May 1, 2025
  • Shannon Vittoria
New Acquisition: Hiroshi Sugimoto’s “Sea of Buddha 049 (Triptych...
May 1, 2025
  • Rebecca Morse
  • Rika Hiro
Kamasi Washington Live at LACMA’s David Geffen Galleries
April 30, 2025
  • Editors

Latest articles

John Baldessari (1931–2020)
January 5, 2020
  • Editors
Chris Burden, Urban Light, 2008
This Weekend at LACMA
January 3, 2020
  • Victor Guzman
Installation photograph, featuring Xu Bing's First Class (2011), in the exhibition The Allure of Matter: Material Art from China, at the Los Angeles County Museum of Art
Installing "The Allure of Matter: Material Art from China...
January 2, 2020
  • Julia Latané
Tsukioka Yoshitoshi, January: Celebrating the New Year, 1860s, Los Angeles County Museum of Art, Herbert R. Cole Collection, photo © Museum Associates/LACMA
Happy New Year!
December 31, 2019
  • Madeleine Heppermann
Analia Saban viewing the Sol LeWitt and Frederick Hammersley works she selected
Artists on Art: Analia Saban on Sol LeWitt and Frederick...
December 30, 2019
  • Sarah Newby
This Weekend at LACMA
December 27, 2019
  • Victor Guzman
The cover of Betye Saar: Call and Response featuring The Edge of Ethics, 2010, photo courtesy of David Karwan
How to Read "Betye Saar: Call and Response"
December 26, 2019
  • David Karwan
Maruyama Ōkyo, Puppies among Bamboo in Snow, 1784
Winter Break at LACMA
December 24, 2019
  • Madeleine Heppermann
Lisa Ohlweiler, Longevity is What They Were After, 2016
LENS 2019 Acquisitions
December 23, 2019
  • Rebecca Morse
This Weekend at LACMA
December 20, 2019
  • Victor Guzman
Takahashi Hiroaki, The Yōmei Gate at Nikkō, c.1929–32
Collection Highlights for the Winter Solstice
December 19, 2019
  • Madeleine Heppermann
Rufino Tamayo, Hands on Blue Background (Manos sobre fondo azul), 1979
Rufino Tamayo: A Mexican Master On View in Los Angeles
December 18, 2019
  • Rachel Kaplan
Rashaad Newsome, Being
2020 Art + Technology Lab Call for Artist Proposals
December 17, 2019
  • Joel Ferree
In the Fields of Empty Days exhibition catalogue
Award-winning LACMA Catalogues
December 16, 2019
  • Editors
Installation photograph, Fiji: Art & Life in the Pacific, Los Angeles County Museum of Art
This Weekend at LACMA
December 13, 2019
  • Victor Guzman
Melchor Pérez Holguín, Pietá
LACMA Awarded TEFAF Grant for Conservation Project
December 12, 2019
The LACMA Store in the Resnick Pavilion
LACMA Holiday Gift Guide 2019
December 11, 2019
  • Madeleine Heppermann
Melchor Pérez Holguín, Pietá, 60 1/4 × 47 5/8 in., Los Angeles County Museum of Art
LACMA Acquires a Major Work by the Bolivian Painter Melchor...
December 10, 2019
  • Ilona Katzew
installation view, Do Ho Suh: 348 West 22nd Street, Los Angeles County Museum of Art
Now on View—“Do Ho Suh: 348 West 22nd Street”
December 9, 2019
Participants during Mindful Monday, in the exhibition Unexpected Light: Works by Young-Il Ahn
Art & Wellness at LACMA
December 6, 2019
  • Alicia Vogl Saenz
  • Elizabeth Gerber
Pair of Guardian Lions, Japan, 10th century
This Weekend at LACMA
December 6, 2019
  • Victor Guzman
Installation photograph, Every Living Thing: Animals in Japanese Art at the Los Angeles County Museum of Art
Create a Composite Creature Inspired by “Every Living Thing”
December 4, 2019
  • Susi Castillo and Carmen Velasquez
Getty curators Stephanie Schrader and Edina Adam, Getty conservator Michelle Sullivan, and former LACMA (now Getty) curator Naoko Takahatake examine the Gauguin “oil transfer drawing,” image courtesy of Madison Brockman. Foreground: Paul Gauguin, Eve ['The Nightmare'] (recto); Eve ['The Nightmare'] (verso), c. 1899–1900, The J. Paul Getty Museum, Los Angeles; Background: William Blake, Satan Exulting over Eve (detail), 1795, The J. Paul Getty Museum, Los Angeles
Re-examining a Unique George Bellows Artwork (Part 2)
December 3, 2019
  • Madison Brockman
George Bellows, Why Don't They Go to the Country for Vacation?, 1913
One of a Kind: Re-examining a Unique George Bellows Artwork (...
December 2, 2019
  • Madison Brockman