Chris Burden, Metropolis II, 2010
Conservation of Metropolis II
March 23, 2020
  • Madeleine Heppermann
Photo courtesy of Robin Coste Lewis
Conversation with Robin Coste Lewis
February 27, 2020
  • Madeleine Heppermann
Jean Pierre Saint-Ours, The Reunion of Cupid and Psyche, c. 1789–92
Valentine’s Day at LACMA
February 13, 2020
  • Madeleine Heppermann
Tsukioka Yoshitoshi, January: Celebrating the New Year, 1860s, Los Angeles County Museum of Art, Herbert R. Cole Collection, photo © Museum Associates/LACMA
Happy New Year!
December 31, 2019
  • Madeleine Heppermann
Maruyama Ōkyo, Puppies among Bamboo in Snow, 1784
Winter Break at LACMA
December 24, 2019
  • Madeleine Heppermann
Takahashi Hiroaki, The Yōmei Gate at Nikkō, c.1929–32
Collection Highlights for the Winter Solstice
December 19, 2019
  • Madeleine Heppermann
The LACMA Store in the Resnick Pavilion
LACMA Holiday Gift Guide 2019
December 11, 2019
  • Madeleine Heppermann
Sanford Robinson Gifford, October in the Catskills, 1880
Happy Thanksgiving from LACMA!
November 28, 2019
  • Madeleine Heppermann
Kaigyokusai Masatsugu, Zodiac Animals, mid- to late 19th century
Discover Your Zodiac Animal!
November 26, 2019
  • Madeleine Heppermann
Frank Stella in his New York studio, 1969
Exhibitions Opening in May
April 30, 2019
  • Madeleine Heppermann
Installation photograph, Zhu Jinshi, Wave of Materials, 2007/2019
Zhu Jinshi's "Wave of Materials"
April 24, 2019
  • Madeleine Heppermann
Sherry Byrd, Roman Stripe Variations, 1989
Acquisitions from the 33rd Collectors Committee Weekend
April 15, 2019
  • Madeleine Heppermann
Woman in red dress sitting in chair wearing a crown of mushrooms, giant mushrooms in the room to the left of her
Conversation with Martha Fiennes
February 12, 2019
  • Madeleine Heppermann
Korean Inspiration: A Night of Art & Exploration
June 18, 2018
  • Madeleine Heppermann
Saint Nicholas, the Historical Figure Who Inspired the Legend of...
December 25, 2017
  • Madeleine Heppermann
Did You Know? Interesting Factoids in “Panamanian Cosmos”
October 2, 2017
  • Madeleine Heppermann