Los Angeles County Museum of Art
50 for 50: El Anatsui’s “Fading Scroll”
April 29, 2025
  • Alexander Schneider
New Acquisition: Virginia Vezzi’s “Self-Portrait as St....
April 28, 2025
  • Leah Lehmbeck
LACMA Announces Six New Acquisitions During the 39th Annual...
April 28, 2025
  • Editors
Buddha Reclining, 18th century, Sri Lanka
This Weekend at LACMA
June 21, 2019
  • Victor Guzman
Still from Steve Gutierrez’s The Beehive Cluster
Film Screening in the Bing Theater—Veterans Make Movies
June 20, 2019
  • Lara Schilling
Avant-Garde members attending a studio visit with artist Kenny Scharf
Faces of Philanthropy: Curator's Circle and Avant-Garde Co-...
June 19, 2019
  • Mariél Frechette
Installation photograph, The Jeweled Isle: Art from Sri Lanka
Architectural Panels from a Buddhist Temple
June 18, 2019
Edgardo Giménez, Serie “Por Siempre Ameba” de Luciana Daelli, 1968
LACMA Receives an Important Gift of Posters by Argentinean Pop...
June 17, 2019
  • Rachel Kaplan
Kyungwoo Chun, Light Calligraphy #1, 2004
This Weekend at LACMA
June 14, 2019
  • Victor Guzman
Eleanor Antin viewing Eleanor Antin: Time's Arrow at LACMA
In Conversation with Eleanor Antin
June 13, 2019
  • Dhyandra Lawson
Sarah Rosalena Brady, Exit Points, © Sarah Rosalena Brady
2019 Art + Technology Lab Grant Recipients
June 12, 2019
  • Joel Ferree
Judithe Hernández at Found in Translation: Design in California and Mexico, 1915–1985, LACMA, September 13, 2017
Life Model 101: Judithe Hernández
June 12, 2019
  • Paulina Alvarez
Symposium: Preserving the City of the Future
June 11, 2019
  • Staci Steinberger
Still from Last Whispers, courtesy of Lena Herzog
Lena Herzog’s “Last Whispers”
June 10, 2019
  • Elizabeth Gerber
Installation photograph, Charles White: A Retrospective, Los Angeles County Museum of Art, February 17–June 9, 2019
Charles White and LA(CMA)
June 8, 2019
  • Devi Noor
This Weekend at LACMA
June 7, 2019
  • Victor Guzman
Drawing of Levitated Mass by a young artist at Andell Family Sundays
Andell Family Sundays: Palm Trees, Lamp Posts, and a Boulder
June 6, 2019
  • Alicia Vogl Saenz
Oscar Niemeyer and Anna Maria Niemeyer, Marquesa Bench, c. 1978 (manufactured by Tendo Brasileira)
Oscar Niemeyer and The Marquesa Bench: The Meeting of Modernism...
June 5, 2019
  • Ilona Katzew
LACMA members and performers during dublab’s Close Quarters event in Rauschenberg: The 1/4 Mile, May 11, 2019
Close Quarters in “Rauschenberg: The 1/4 Mile”
June 4, 2019
  • Mark “Frosty” McNeill
Still from Three Colours: Red, 1994, © MK2 Productions
Final Cut: Great Last Films by Great Directors
June 3, 2019
  • Adam Piron
Audience in the Leo S. Bing Center, photo © Museum Associates/LACMA
Final Sundays Live at LACMA—Before Moving to St. James Church
June 1, 2019
  • Bill Vestal
Installation photograph, featuring Gu Wenda's United Nations: American Code (2018-2019), in the exhibition The Allure of Matter: Material Art from China, at the Los Angeles County Museum of Art
This Weekend at LACMA
May 31, 2019
  • Victor Guzman
Still from The French Connection, 1971
Hollywood In Limbo: 1969–72 | The Rebirth of the American Crime...
May 30, 2019
  • Adam Piron
Installation photograph, featuring Xu Bing’s 1st Class (2011) as seen in the exhibition The Allure of Matter: Material Art from China at the Los Angeles County Museum of Art, June 2, 2019–January 5, 2020
Coming Soon: “The Allure of Matter”
May 29, 2019
Marguerite Wildenhain, form designer and Trude Petri, decoration designer, Teacup and Saucer, 1929-30
Bauhaus at 100: Spotlight on Marguerite Wildenhain
May 27, 2019
  • Bobbye Tigerman
Charles White, Bessie Smith, 1950
This Weekend at LACMA
May 24, 2019
  • Victor Guzman
Jack Werner Stauffacher, Journal of Typographic Research, designed 1966–67, this issue April 1967
"Between the Lines: Typography in LACMA’s Collection"
May 20, 2019
  • Staci Steinberger